There are two ways to tell the story of an
important individual : you can tell his lifestory chronologically, picking and focusing
on important events to take the story forward smoothly; or you can do what Om
Raut and Kaustubh Savarkar have pulled off in the one-of-a-kind “Lokmanya Ek
Yugpurush”, treading new ground, and making a movie that belongs right up there
in one of the hardest hitting, and yet deeply engrossing & entertaining
movies to emerge out of India, a movie that strikes boldly out on its own into
uncharted territory, giving a strong message and invoking deep thoughts in the
bargain…
Lokmanya – Ek Yugpurush is not the story of
Lokmanya Tilak; it is the story of his ideology, his thoughts, and his love his
country. It is the story of a thought process, ek vichaardhaaraa; it is far
beyond the story of just one mortal man. And, in doing so, it has left a deep
impression on the viewer, and created a powerful medium for an impact on the
human mind. It is the story of deep belief in ones’ culture and heritage; it is
the story of pride and joy in just being Indian; it is the story of the rise &
journey of one man from the ordinary Balwant Gangadhar Tilak… to the title of “Lokmanya”,
by which all of Modern India remembers him till this day…
Where the narrative scores is the relative new
method adopted : that of interleaving two stories, one the story of Lokmanya,
and the other the modern day story of a young journalist. The journalist’s
angle has been skillfully woven in & interleaved with the main theme, and focuses
on what is wrong in Modern Indians, implying that we as a people have forgotten
about the lessons of the independence struggle and the past. The twin themes in
the modern story are the increasing penchant of Indians wanting to leave India
and settle abroad, and the agrarian situation of farmer suicides.
The hardest hit is when the scenes of Lokmanya
and his patriotism, his ideology come just after the modern scenes, leaving
open the question : have we forgotten their sacrifices, and are we taking
things for granted, are we creating the India they dreamt of? On one side, you
have the freedom fighters who gave their all, as shown in the sacrifices of
Lokmanya; and on the other, you have the modern educated Indian wanting to
leave India or not focusing on real development of the rural majority among other
things; the same India they shed blood,
sweat and tears for. On the one side, you have Lokmanya using education as a
means of uplifting society and people, leading
to overall improvement in the people; and on the other, you have the modern
Indian, chucking India for the West, or busy in his own self.
Subodh Bhave has delivered a stunner, an awesome
performance, dominating the entire scene and movie with his stellar portrayal
of Lokmanya. It had to be good to do justice to the individual : he was portraying
a man who virtually every Indian can identify with, a man who is known just by
one title : Lokmanya - throughout the length and breadth of India; a man known
as the founder freedom fighter, the man called as the leader of the
Independence struggle that eventually led to freedom. And Subodh has lived upto
the role, the individual; so powerful is his portrayal, so brilliant, that it
will be a long time before you forget this one.
Most important events of his life have been
covered; that said – the focus is on the telling of his ideology, and
juxtaposing Modern India and its manifest flaws vis-à-vis what Lokmanya
represented. The film has many powerful secondary messages, like the one told
through the child marriage issue. Lokmanya was opposed to any law on raising marriage
age; and was insisting that true reform can only happen from within a society
& religion through contact, discourse, discussion and education. You cannot
legislate on these matters – especially if you do not understand the underlying
social factors and precepts and the repercussions of intervention on the
people.
Sadly, the movie also exposes brutally and
bluntly the reality, the sad spectacle of Indian betraying Indian; a sorry
story of how Indians cooperated willingly, fully and completely with the Raj;
this is also evident in another Marathi Classic : Vasudev Balwant Phadke {the
story of a revolutionary who attacked the British Raj, and was sold to them by
treachery of Indians, with Ajinkya Deo also giving a blinder of a performance
in the title role}. This exposes the social fractures and problem areas, as
well as the penchant of treachery and placing oneself over the nation
The songs are classic, both in the music and the lyrics, including
one song based on the verses from Geeta : Karmanye Vaadhikaaraste Maaphaleshu
Kadaachana, unique blend of a musical rendition of the verse interspersed with
the commentary or interpretation, a deeply moving, educational and engrossing
experience, an effort which is the stuff of legend. Add to that the class He
Jeevan Aaple Saarth Karaa Re, and you have an ensemble of songs that are a
collectors’ edition, moving, and powerful. Fully in keeping with the theme of
the movie as well as doing justice to the memory of Lokmanya, as per me.
All in all, this is a movie that is a
hard-hitting, brutally blunt and yet entertaining movie that belongs right up
there among the best movies ever made in any language in India; an effort of
sheer class that is simultaneously educational as well as thought-provoking. Some
comparisons the movie makes in the Modern settings may be an exaggeration, or
even objectionable as it seems to equate the British with the corrupt modern
people; but the inference and the implied message – that we might just be drifting
far away from the ideals of our freedom fighters is an assumption well-founded
in the current reality.
This is best summed up in the inference drawn by
the Modern hero-heroine of the movie, that the stories of our freedom fighters
as well as their ideology, their dreams and their passion needs to be
translated and communicated in the
modern Indian; that there is a strong and felt need for telling, educating and
convincing the people of Modern India and provoking their thoughts, kindling
the same ideas within them and letting them understand what people like
Lokmanya stood for, and how their ideas hold contemporary lessons for us. This
is best told through the movement of one person from admiring the people moving
to the USA – and moving her to an active contributor in making Modern India a
better place, and striving to create a better India, rather than leave. Rated 5
stars; in closing, let me just place the stunning lyrics of the song He Jeevan
Aaple Saarth Karaa Re : {S: Geetmanjusha.com - http://geetmanjusha.com/lyrics/12350-ya-jeevan-aaple-sarth-kara-re-या-जीवन-आपले-सार्थ-करा-रे} feel them!
या जीवन आपले सार्थ करा रे
राष्ट्रभक्ती निःस्वार्थ करा रे
एकजुटीने कार्य करा या देशाचे
या साथी बना अन सार्थ करा रे, मातृभूमी ही आज पुकारे
जागृत होऊन कंकण बांधू दिवसरात्र जगण्याचे
मातेच्या पायाशी हे अर्पण प्राणांचे
फेडूया ऋण आम्हा हा जन्म लाभला त्याचे
घेऊ हे ब्रीद हाती आसेतुसिंधू नव हिंदुस्तानाचे
भीती न आम्हा ह्या वज्र मुठींनी कातळ भेदू
सीमा न कुठली हुंकार असा गगनाला छेदू
ठाम निश्चय हा दुर्दम्य आमुची इच्छाशक्ती
हृदय पोलादी ना सोडी कधी राष्ट्रभक्ती
मातेच्या पायाशी हे अर्पण प्राणांचे
फेडूया ऋण आम्हा हा जन्म लाभला त्याचे
घेऊ हे ब्रीद हाती आसेतुसिंधू नव हिंदुस्तानाचे
जन्म हा माझा होई सार्थ साचा, मुक्त माता होता
हे एकची माझे ध्येय आता राष्ट्र असे घडवावे
हे भारतभू तुजसाठी आता जीवन अर्पावे
ज्योत ज्ञानाची स्फुल्लिंग मनाचे पेटून उठले
स्वाभिमानाचे हे कुंड मनाचे मग धगधगले
शृंखला तोडी हे दास्य आता ना साही कोणा
देश हा अमुचा स्वातंत्र्याचा अमुचा बाणा
मातेच्या पायाशी हे अर्पण प्राणांचे
फेडूया ऋण आम्हा हा जन्म लाभला त्याचे
घेऊ हे ब्रीद हाती आसेतुसिंधू नव हिंदुस्तानाचे
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