Thursday, 13 August 2015

Movie Review : Lokmanya Ek Yugpurush




There are two ways to tell the story of an important individual : you can tell his lifestory chronologically, picking and focusing on important events to take the story forward smoothly; or you can do what Om Raut and Kaustubh Savarkar have pulled off in the one-of-a-kind “Lokmanya Ek Yugpurush”, treading new ground, and making a movie that belongs right up there in one of the hardest hitting, and yet deeply engrossing & entertaining movies to emerge out of India, a movie that strikes boldly out on its own into uncharted territory, giving a strong message and invoking deep thoughts in the bargain…


Lokmanya – Ek Yugpurush is not the story of Lokmanya Tilak; it is the story of his ideology, his thoughts, and his love his country. It is the story of a thought process, ek vichaardhaaraa; it is far beyond the story of just one mortal man. And, in doing so, it has left a deep impression on the viewer, and created a powerful medium for an impact on the human mind. It is the story of deep belief in ones’ culture and heritage; it is the story of pride and joy in just being Indian; it is the story of the rise & journey of one man from the ordinary Balwant Gangadhar Tilak… to the title of “Lokmanya”, by which all of Modern India remembers him till this day…


Where the narrative scores is the relative new method adopted : that of interleaving two stories, one the story of Lokmanya, and the other the modern day story of a young journalist. The journalist’s angle has been skillfully woven in & interleaved with the main theme, and focuses on what is wrong in Modern Indians, implying that we as a people have forgotten about the lessons of the independence struggle and the past. The twin themes in the modern story are the increasing penchant of Indians wanting to leave India and settle abroad, and the agrarian situation of farmer suicides.


The hardest hit is when the scenes of Lokmanya and his patriotism, his ideology come just after the modern scenes, leaving open the question : have we forgotten their sacrifices, and are we taking things for granted, are we creating the India they dreamt of? On one side, you have the freedom fighters who gave their all, as shown in the sacrifices of Lokmanya; and on the other, you have the modern educated Indian wanting to leave India or not focusing on real development of the rural majority among other things;  the same India they shed blood, sweat and tears for. On the one side, you have Lokmanya using education as a means of uplifting society and people,  leading to overall improvement in the people; and on the other, you have the modern Indian, chucking India for the West, or busy in his own self.



Subodh Bhave has delivered a stunner, an awesome performance, dominating the entire scene and movie with his stellar portrayal of Lokmanya. It had to be good to do justice to the individual : he was portraying a man who virtually every Indian can identify with, a man who is known just by one title : Lokmanya - throughout the length and breadth of India; a man known as the founder freedom fighter, the man called as the leader of the Independence struggle that eventually led to freedom. And Subodh has lived upto the role, the individual; so powerful is his portrayal, so brilliant, that it will be a long time before you forget this one.


Image result for subodh bhave



Image result for lokmanya ek yugpurush


Most important events of his life have been covered; that said – the focus is on the telling of his ideology, and juxtaposing Modern India and its manifest flaws vis-à-vis what Lokmanya represented. The film has many powerful secondary messages, like the one told through the child marriage issue. Lokmanya was opposed to any law on raising marriage age; and was insisting that true reform can only happen from within a society & religion through contact, discourse, discussion and education. You cannot legislate on these matters – especially if you do not understand the underlying social factors and precepts and the repercussions of intervention on the people.


Sadly, the movie also exposes brutally and bluntly the reality, the sad spectacle of Indian betraying Indian; a sorry story of how Indians cooperated willingly, fully and completely with the Raj; this is also evident in another Marathi Classic : Vasudev Balwant Phadke {the story of a revolutionary who attacked the British Raj, and was sold to them by treachery of Indians, with Ajinkya Deo also giving a blinder of a performance in the title role}. This exposes the social fractures and problem areas, as well as the penchant of treachery and placing oneself over the nation




The songs are classic,  both in the music and the lyrics, including one song based on the verses from Geeta : Karmanye Vaadhikaaraste Maaphaleshu Kadaachana, unique blend of a musical rendition of the verse interspersed with the commentary or interpretation, a deeply moving, educational and engrossing experience, an effort which is the stuff of legend. Add to that the class He Jeevan Aaple Saarth Karaa Re, and you have an ensemble of songs that are a collectors’ edition, moving, and powerful. Fully in keeping with the theme of the movie as well as doing justice to the memory of Lokmanya, as per me.  






All in all, this is a movie that is a hard-hitting, brutally blunt and yet entertaining movie that belongs right up there among the best movies ever made in any language in India; an effort of sheer class that is simultaneously educational as well as thought-provoking. Some comparisons the movie makes in the Modern settings may be an exaggeration, or even objectionable as it seems to equate the British with the corrupt modern people; but the inference and the implied message – that we might just be drifting far away from the ideals of our freedom fighters is an assumption well-founded in the current reality.



This is best summed up in the inference drawn by the Modern hero-heroine of the movie, that the stories of our freedom fighters as well as their ideology, their dreams and their passion needs to be translated and communicated in  the modern Indian; that there is a strong and felt need for telling, educating and convincing the people of Modern India and provoking their thoughts, kindling the same ideas within them and letting them understand what people like Lokmanya stood for, and how their ideas hold contemporary lessons for us. This is best told through the movement of one person from admiring the people moving to the USA – and moving her to an active contributor in making Modern India a better place, and striving to create a better India, rather than leave. Rated 5 stars; in closing, let me just place the stunning lyrics of the song He Jeevan Aaple Saarth Karaa Re : {S: Geetmanjusha.com - http://geetmanjusha.com/lyrics/12350-ya-jeevan-aaple-sarth-kara-re-या-जीवन-आपले-सार्थ-करा-रे} feel them! 


या जीवन आपले सार्थ करा रे 
राष्ट्रभक्ती निःस्वार्थ करा रे 
एकजुटीने कार्य करा या देशाचे 
या साथी बना अन सार्थ करा रे, मातृभूमी ही आज पुकारे 
जागृत होऊन कंकण बांधू दिवसरात्र जगण्याचे
मातेच्या पायाशी हे अर्पण प्राणांचे 
फेडूया ऋण आम्हा हा जन्म लाभला त्याचे 
घेऊ हे ब्रीद हाती आसेतुसिंधू नव हिंदुस्तानाचे 


भीती न आम्हा ह्या वज्र मुठींनी कातळ भेदू 
सीमा न कुठली हुंकार असा गगनाला छेदू 
ठाम निश्चय हा दुर्दम्य आमुची इच्छाशक्ती
हृदय पोलादी ना सोडी कधी राष्ट्रभक्ती
मातेच्या पायाशी हे अर्पण प्राणांचे 
फेडूया ऋण आम्हा हा जन्म लाभला त्याचे 
घेऊ हे ब्रीद हाती आसेतुसिंधू नव हिंदुस्तानाचे 


जन्म हा माझा होई सार्थ साचा, मुक्त माता होता 
हे एकची माझे ध्येय आता राष्ट्र असे घडवावे
हे भारतभू तुजसाठी आता जीवन अर्पावे


ज्योत ज्ञानाची स्फुल्लिंग मनाचे पेटून उठले 
स्वाभिमानाचे हे कुंड मनाचे मग धगधगले 
शृंखला तोडी हे दास्य आता ना साही कोणा
देश हा अमुचा स्वातंत्र्याचा अमुचा बाणा
मातेच्या पायाशी हे अर्पण प्राणांचे 
फेडूया ऋण आम्हा हा जन्म लाभला त्याचे 
घेऊ हे ब्रीद हाती आसेतुसिंधू नव हिंदुस्तानाचे

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